Showing posts with label People. Show all posts
Showing posts with label People. Show all posts

Looking Forward to Fall


ARIA STONE GALLERY IN DALLAS
COOL . . . anytime the temperature is expected to drop below 90 in September Texas, we say there's a cool front coming in. It's beautiful weather right now over most of the state, and so those of us who are interested in houses and design start thinking about what's new for fall—in the stores, in the showrooms and in the galleries and museums. I've been busy at work putting together the new fall issue of Modern Luxury Interiors Texas, and here are some of the things I'm really looking forward to showing you. It's a sneak peek, of course (subscribe to the online edition or pick up a print copy at Whole Foods or Barnes & Noble to see the full stories and photos!)

Aria Stone Gallery is new to Dallas via owner Vinny Tavares, who travels the globe hunting for perfect slabs of stone, which he brings back to his showroom in the Design District. You don't just pop into his place and ask for Emperador marble for your counters. It's a gallery, and the artwork is stone. And so he's got his most beautiful pieces displayed as you might do them in your own home. I think it's the most modern thing I've seen in years. 

Cartesian Collection by Alexander Purcell Rodrigues, at Urbanspace Interiors, Austin

These amazing Cartesian Collection chairs are what made me notice Urbanspace Interiors in Austin for the first time. Designer Emily Basham buys all kinds of stellar stuff for her store, and these are just one of the lines I'm crazy about. Designed and produced in southern California by Alexander Purcell Rodrigues, they are reductive to the max, yet there's so much going on: color, texture and shape. See editor Helen Thompson's story on Urbanspace in the upcoming edition. 


Bliss table at ID Collection
I'm not sure if this particular side table made the cut for the accessories or trends stories (it's brutal in the world of magazines) but it's a personal favorite. I love it's liquid, melting look. This looks very of the moment to me, too. Ask Jim Williamson at ID Collection more about it, he'll tell you.


Fort Worth's Omni highrise penthouse, designed by Adrienne Faulkner. Photo by Paul Finkle.
I can't wait for you to see this highrise in Fort Worth. Designer Adrienne Faulkner had so many challenges to work around, including view-obsuring pillars, yet she managed to provide outstanding views from just about every space. Jason and Signe Smith of smitharc architects worked with Faulkner on the interior architecture. It's just a spectacular space and writer Melanie Warner captured it all beautifully, to go with Paul Finkle's photos.
Chic, to go. Zebra rug/blanket for fall tailgating, from Neighborhood in Dallas
Editor Nadia Dabbakeh turned me onto Neighborhood, Dallas's up-and-coming new cadre of designers who do it all—they run a store, they design interiors, they do graphic design. What I like so much about what Erin and John Paul Hossley are doing at Neighborhood is that they're doing it all their own way. That inspired a story about young designers doing it their own way, so I asked writers Carla Jordan and Melanie Warner to tell us about the Hossleys and about Houston designers (and sisters) Saba and Sarah Jawda (pictured below), of Jawda and Jawda. I hope you'll read about all of these young entrepreneurs.

Saba and Sarah Jawda of Jawda and Jawda, Houston

Janus et Cie, Houston
Janus et Cie's large new freestanding showroom in Houston is in the middle of River Oaks, where it ought to be. I'm always inspired by the company's fresh take on outdoor furnishings, and of course as a magazine editor, I love their great photographs. Check out editor Helen Thompson's story on their new, big digs. 

Jeremy Cole in his workshop
New Zeland ceramic artist Jeremy Cole uses high technology, along with hands-on artisan work,  to create his beautiful and luxurious lighting. He's making a public appearance—the first Texas appearance that I know of—in November in Houston at the Inernum showroom, who just picked up his line. Cole's work is in museums, along with Harry Winston and Bulgari stores. Pay attention—his lighting is going to be very collectible.

Interior by Chandos Dodson
Writer Carla Jordan brought us this story and I'm so glad she did—Chandos Dodson is a Dallas- and Houston-based interior designer, whose own home in Houston has the kind of pedigree design editors dream about. Her house was once occupied by a movie star and a U.S. president, and now's it's as stylish as ever, thanks to Dodson's cultured eye.


Hotel ZaZa's new bungalows
First, there were the bungalows at the Beverly Hills Hotel. Now there are the bungalows at Dallas' Zaza hotel. Owner Benji Homsey caters to visiting celebs, so its' natural he wanted to create something more private and permanent. The locals in Dallas couldn't agree more. See writer Carla Jordan's story on ZaZa's new expansion into the city's historic State Thomas District.

Room by Specht Harpman, Austin
Editor Helen Thompson brought us this story—the Austin- and NYC-based firm of Specht Harpan is generating buzz for its modern renovations and contemporary interpretations of architecture from Connecticut to Manhattan to Austin and beyond. Talent worth noting, wouldn't you agree?



Artist George Sellers' Golden Bugs


George Sellers' 22-karat gold insect sculptures are modeled on 16th century drawings of insects.
Studded with Swarovski crystals and semi-precious stones, 

the fantastical creatures go for upwards of $4,700. Photo by Ben Garrett

Beauty and the Beasts . . . George Sellers is a classically-trained artist who studied sculpture in Italy, researching 16th and 17th century renderings of insects to create his new Gilded Beasts collection, available through Ceylon et Cie. George and his nephew Ely Sellers carve these large scale, fantastical creatures from clay, then encrust them with jewels and gild them in 22-karat gold. This beautiful wasp is mounted on a faux bois base, which George carved from plaster and mounted atop natural quartz. It's really an exquisite work of art.

George has been doing the window art for years in New York at luxury jeweler Van Cleef & Arpels, working with the famous Douglas Little. His sculptures remind me of beautifully-crafted brooches, and George admits to being influenced by his years at Van Cleef. 

A praying mantis detail. Photo by Ben Garrett

George Sellers with his golden bugs. Photo by Ben Garrett

Horse hoof table, gilded in 22K gold. Photo by Ben Garrett

This clay scarab will soon be entirely encrusted with jewels, says George. Photo by Ben Garrett

A faux bois lamp, sold through David Sutherland Showroom. Photo by Ben Garrett

Faux bois tables and floor lamp, sold through David Sutherland Showroom. Photo by Ben Garrett


Artist Darius Goodson and George Sellers conferring over drawings of
Darius' Harmonic Forms table designs, which are sold through Ceylon et CiePhoto by Ben Garrett


Harmonic Forms table designs. Photo by Ben Garrett

Harmonic Forms table designs. Photo by Ben Garrett



Harmonic Forms table designs. Photo by Ben Garrett

Left to right: Artists Darius Goodson, Philip McVean, George Sellers
and Ely Sellers inside George Sellers' Riverfront workshop.Harmonic Photo by Ben Garrett

Behind the scenes . . . 
Behind the Scenes: Me shooting photographer Ben Garrett shooting Darius and George at work
More behind the scenes shots of photographer Ben Garrett at work
George Sellers' Riverfront studio
Sculpture by George Sellers
A beautiful French magazine brought back for inspiration; more of Darius' table sketches
One of a pair of huge leopards created by George Sellers that guard the entrance to the studio
Read Lisa Martin's wonderful story on George Sellers' work inside the current edition of Modern Luxury Interiors Texas, here (turn to page 52).

Novelist Sandra Brown's Gardens


Arlington resident Sandra Brown's lush gardens. Photo by Dan Piassick

Nature, She Wrote. . . In early evenings when there’s still enough sunlight filtering through the leafy canopy overhead, novelist Sandra Brown wanders into the garden with legal tablet and pen. “In the stages when I’m plotting out a story and playing ‘what if’, I’ll sit out there for inspiration,” says Sandra, whose gardens and home comprise four woodland acres in north central Arlington, about 30 minutes west of Dallas. 


Photo by Dan Piassick

Behind large gates and shrouded from the street by a thicket of elms and oaks, the property is both manicured and wild, a hidden oasis in an area best known for strip malls, the Ball Park at Arlington, and the Dallas Cowboys Stadium. “It’s such a shock to people who’ve never been here before,” she says.



Photo by Dan Piassick

A creek cuts through the back property, and in spring the landscape is peppered with white flowering dogwood, purple-hued eastern redbud trees, pink ruffle and snowball azaleas. The flora is reminiscent of the damp Piney Woods near Tyler, where Sandra and husband Michael, a video producer, lived for five years. In summer, the magnolias bloom and the beds sprout with shade-loving caladiums, hostas, and lush tassel and holly ferns. “I grew to love that east Texas look, so I have tried to replicate it here,” says Sandra, who grew up in Fort Worth.


Photo by Dan Piassick

Photo by Dan Piassick

Texas and the south are frequent settings for the more than 70 books she’s written (60 have made it onto the New York Times Best Seller List). She’s in the midst of finishing Low Pressure, a thriller due out in September about a tornado that hits Austin on Memorial Day, covering up a murder that took place only minutes earlier. While most of her work is done at an office she keeps in Arlington, Sandra often writes at home on the weekends inside a second floor study, which affords views of the creek and a small bridge below. “One day I saw a ‘swoosh’ out the window, and it was a huge heron, perched by the creek. He stayed for a few days,” she remembers.



Photo by Dan Piassick

Photo by Dan Piassick


Photos by Dan Piassick


Water and the woodsy terrain are an alluring habitat for armadillos, raccoons, opossum, rabbits, owls, and red tail hawks, which have been seen on the property. Once, Michael came face to face with a bobcat in the driveway after an early morning bike ride.
The Browns bought the large two-story estate in 2004 and spent a year renovating it. “We loved the bones of the house, but we did a lot of rearranging inside,” including opening up rooms to take advantage of massive windows overlooking the Pennsylvania blue stone terraces, says Sandra. “When you walk in the front door, you can see straight out the to the back. It’s like walking into the garden the minute you come inside.”

Photo by Dan Piassick


The already extensive terrace was expanded by another third, and they added a large stone fireplace, which enables them to entertain outside year round. “We’ve had dinner parties at Christmas, and we’ll go outside with a bag of marshmallows and roast them for dessert. On New Year’s day we had a family gathering by the fireplace. It was just perfect,” she says. A seating area perched high on the upper terrace is ideal for informal lunches when her son and daughter visit with their four children. “We can watch the kids play on the other side of the bridge from there.”  

The gardens, which had already been established by Naud Burnett & Parnters when the Browns purchased the house, only needed a little sprucing up. Ornamental trees were added, including Japanese yews, pistachios, and Japanese maples -- one of Sandra’s favorites. Drought and insects have taken a toll on some of the larger, older trees. “Any time we’ve lost a tree, I’ve had it replaced with lace bark elm. It’s fast growing, heat resistant, drought tolerant, and grows into gorgeous shade trees with bark that curls up like lace.”


Photos by Dan Piassick


A profuse understory of flowering shrubs like sweetly-scented cheeswood, Chinese loropetalum with its deep pink petals, and white-blooming wax leaf lugustrum help give the gardens density. But it’s the vast emerald carpet of ground covers that that are the real stars, providing manicured elegance and texture, including English ivy, dwarf and standard mondo grasses, creeping verigated vinca with its tiny blue flowers, and the hardy liriope, or monkey grass, which produces purple blooms like water hyacinth. Harsh summers, ongoing drought, and periodic ice storms are a challenge for sustaining the garden. A new water system recycles water from the creek into a small koi pond, and helps with circulation and conservation.

Novelist Sandra Brown and golden retriever, Chase. Photo by Dan Piassick


“Maintenance is a huge issue that takes a lot of effort,” says Sandra. “Some years the tulips are pathetic looking if the soil wasn’t as cold as it should be during winter. Other times, the azalea blooms freeze before they open. So many things depend on the weather and the rain.”  Unlike the books she pens where the action is entirely under her control, gardens are dynamic and unpredictable. “You can do your best, but at the end of the day, mother nature is in charge.”


A version of my story also appears in the April issue of Modern Luxury Interiors Texas.

Jane Waggoner's Stunning Rug Designs

Sunny, lounging on a Voodood rug from Jane's Island collection.
Photo by Sean Gallagher.

Loom-inary . . . Dallas interior designer Jane Waggoner's stunning new rug designs are inspired by some of the world's greatest artists, including Picasso and Warhol. "Art inspires me at my deepest level," says Jane, who has dual masters degrees from SMU in art history and business. Her background is all about art, having worked at both the Museum of Modern Art in NYC and the Dallas Museum of Art, before starting her own interior design business. A passion for creating rugs was sparked two years ago, and her newest designs, Feng and Shui, can be seen in the windows this month at Forty Five Ten, which is selling the designs exclusively.




Feng and Shui, from the Chinoiserie collection. Photo by Sean Gallagher.

Stylemaker Dana Card introduced me to Jane late last year, while we were having lunch at Forty Five Ten. Jane arrived with her rug samples in tow, and her beautiful daughter Madeline, who was home for the holidays from UT. Madeline, who obviously has a natural eye for design, set up the shot above with the root table and green rug. Brilliant!

Dana lent us her lovely home in Greenway Parks so we could shoot the rugs for this story. Her two standard poodles, Sunny and Louie, loved the camera and ended up in several shots. They're born hams, but I love how they look on Jane's rugs.




Jane Waggoner. Photo by Peter Chollick (Jane's talented brother).




Feng and Shui, from the Chinoiserie collection. Photo by Sean Gallagher.

The rugs, which are mainly wool and wool and silk blends, are hand-woven in Tibet at 100 knots per square inch, which according to Jane, is about as good as it gets in rug-making. They take about five months to make. I asked her how this is possible in a world that demands instant gratification, even on things that are supposed to be bespoke. "Some things are worth waiting for. Quality is worth waiting for. These are rugs that get passed down to your grandchildren, and my customer is the kind who values that," she says.

The carpets also appeal to customers with a conscience. They're GoodWeave certified, which ensures that no child labor was used, and Jane donates 10% of the profits to children’s charities.

But because it takes almost a half a year to get a rug, Jane's come up with ways to keep customers from going stir crazy. Midway through, they're sent a photo of their rug in progress along with a photo of the artisan working on it, “sort of like a sonogram,” she says. Special software, available at Interior Resources (the wholesale showroom that carries Jane Waggoner Rugs), allows you to upload a photo of your room and see what any of her rug designs will look like.




Orani, from the Tribal collection. Photo by Sean Gallagher.

Jane's designs are inspired by years of looking at art in museums, and travel. "I may not have the "it" handbag, but I always have a passport ready and a suitcase packed," she says. "Every 18 months I go to Europe for the architecture and the museums. One rug design came directly from the detail of a frame in a museum in Spain. It starts out as one thing, then morphs into another." She particularly admires Picasso's Spain-influenced works, which galvanized her Barcelona collection. "Picasso's work, especially his ceramics, inspire something in me that's ageless and timeless. The litmus test for good art is that it can be used anywhere. That's the same test I use for my rugs. They can go into a variety of different places."




Me, shooting photographer Sean Gallagher, shooting Jane's portrait

Here's a snapshot I took of photographer Sean Gallagher on the floor, taking Jane's portrait with one of her rugs. I love how the trees outside cast decorative shadows on the wall behind her, and how Dana's living room has the kind of spare, washed out elegance of an Ingmar Bergman film.




Louie, posing on a chartreuse Feng and Shui rug. Photo by Sean Gallagher.

Eventually, Jane's rug designs will turn into designs for wallpapers and textiles, and she's working on some designs for iron and wood furniture with Shoshannah Frank. But for now, rugs satisfy the itch to create. "They satisfy a visual and tactile sense for me," she says. "I love the deliciousness of them, and the pile and feel of them."


A Modern House In Kessler Woods by Russell Buchanan


All Photos Courtesy of Aaron Opsal and Buchanan Architecture

Rustic & Refined . . . When Aaron and Amy Opsal purchased the land for their first home together in the Kessler Woods development of Oak Cliff in 2006, they were newly engaged and still nurturing their fledgling ad agency, The Brand Hatchery, which they’d launched together a few years earlier.

Building a house from the ground up was another big element on an already overflowing plate. “It was kind of crazy,” Amy recalls. “Here we were trying to create a space together when we were also trying to plan a wedding and build our business.”



The two-story stucco wall sometimes acts as the perfect
backdrop for watching movies while the family swims in the pool.
Designed by Buchanan Architecture.

With resources spread thin, the budget for the new house was tight. But financial constraints didn’t stop the Opsals from interviewing seven of the top architects in town, including Russell Buchanan of Buchanan Architects, whom they ultimately hired not only because they admired the earthy and restrained modern design style he’s known for, but like the Opsals, Russell and his wife Karen had recently started their own firm. “We work as a husband and wife team and we liked the fact that Russ and Karen did, too,” says Aaron.




A glassed-in entry cantilevers over the lap pool. Designed by Buchanan Architecture.

Clients like to save money, but they also often expect sculptural or artistic flourish, Russell says. But how to up the ante while staying on budget? The answer for this house was to create a memorable entry. “Often in modern architecture the front door is forgotten,” says Russell, whose design welcomes visitors via a wooden bridge, which makes a titillating two-inch gap before leading to a separate glassed-in vestibule that cantilevers dramatically over a lap pool below. At night the floating glass box glows like a lantern. “It’s about light and levity in that single element,” he says. “It’s structurally bad-ass.”



Materials used in the house include concrete, stucco, gravel,
glass, and COR-TEN steel, which rusts naturally into a protective finish.

The house's geometry shows off simple, beautiful materials.

Russell’s understated concept for the cost-conscious house didn’t scrimp on design, but it did rethink materials and construction. Essentially an elegant rectangular box clad in COR-TEN steel and glass, the simple architecture kept things from becoming complicated, while “smart framing” -- a method that utilizes the standard four-foot building module throughout the structure -- kept costs in check.



Beautiful riff-cut white oak and plaster-clad concrete envelop the entry stairwell

Open the front door, and you’re inside a 26-ft. tall, plaster-clad entry tower with stairs leading up towards the private areas of the house, and down into the public areas. (The exterior slab of plaster on the tower has served on occasion as an outdoor movie screen while the family lounges in the pool.)




On the west side of the house, windows are placed high and narrow
to allow light without the heat of the late afternoon sun. White-washed pine walls and ceiling envelop the room. The sectional is from Room & Board;
floor lamp is Design Within Reach; wood table is Cantoni.



Because it was impossible to know what would be built up around the house later,
Russell Buchanan carefully placed windows to assure that every view is a good one.


The Opsals, neither of whom had lived in a modern house before, had only the vaguest idea of what they wanted when they started. “We didn’t want the biggest house in the neighborhood,” says Aaron. “We wanted to build a smaller house and use it more efficiently.” With kids in the not-to-distant future, the resulting 2,600 square ft., three-bedroom and two-and-a-half bath floor plan provided the room they needed to grow without wasting space.




A custom, ebonized riff-cut white oak cabinet becomes
a room divider. The family dog Pepper is pictured.



White-washed pine ceilings and walls give the open kitchen and
living areas warmth amid easy-to-care-for polished concrete flooring.
Kitchen fixtures are from TKO Associates.




The kitchen table, chairs, and bar stools are a mix of
inexpensive pieces from West Elm, Design Within Reach, and Room & Board.


The Opsals gave their architect free reign to come up with a cool design within their limited budget, but they did have one request: Make use of the morning light. An early riser, Aaron is up before dawn each morning making coffee, reading the paper, and watching the sun come up. (With the ensuing birth of their two children, Isabella and Oliver, Amy’s mornings have also started a lot earlier.) To best capture that rosy first light, all of the glass in the house was oriented due east, with large storefront windows that open onto private courtyards. “Russ did an incredible job of editing the views.
The house was built in the middle of the development and it still feels private,” says Amy.




Aaron Opsal, an early morning riser, requested rooms with views
to the east so he could watch the sun come up, so architect
Russell Buchanan created storefront windows that open onto several private courtyards.


“One of the challenges with living in a modern space is finding a place to put things,” says Amy, who along with Aaron created a collage wall in the living room with string and wooden laundry clips, where they hung trinkets from their travels, wedding pictures, ticket stubs, wine labels, and notes to each other. The co-mingling of high-low furnishings and materials is one of their home’s most appealing aspects. “When you’re building a house, it’s easy to add expensive items as you go along,” says Aaron. “But Russ was good about reminding us that you can achieve luxury with industrial materials and uniqueness.”





In a modern house storage is always at a premium.
Here, a pair of metal stools from DWR pull double
duty as seating and shelving.
A narrow shelf is a
rotating showcase for photographs and found objects.

Inside, a narrow palette of simple materials serves to be both cost-effective and beautiful. Polished concrete gleams on the floors downstairs, and white-washed pine envelops the walls and ceilings of the open kitchen, dining, and living areas, like a sleek Bauhaus version of a lodge home. “The whole house has a refined rawness to it,” says Aaron.



For Amy's birthday, Aaron created a collage of pages torn
from classic paperback books including Gone with the Wind and Star Wars.


There were a few splurges. Several large cabinets that serve as room dividers were custom made from ebonized riff-cut white oak, and the fixtures in the bathrooms and kitchen came from TKO Associates. The furnishings are a mix of antiques and inherited family pieces, such as the baby grand piano that belonged to Amy’s mother, and inexpensive finds from Ikea, West Elm, and Design Within Reach. There’s no expensive art here -- the house is adorned with personal items that reveal the couple’s creativity and passions. Aaron’s own photography graces a ledge in the living room, and pages torn from paperback books, tacked to a wall in the guest bedroom, serve cleverly as art (Amy, who was an English major in college, loves to read).




An extra bedroom serves as a study and includes a wall
painted with chalkboard paint, which Aaron and Amy use as an
inspiration board, similar to one they have at their ad agency offices at the Brand Hatchery.

Amy Opsal in an inspired moment.

To read my original story, which appears in the March 2012 issue of Modern Luxury magazine, go here.