Landscape Architect Thomas Woltz

 Landscape architect Thomas Woltz at his Charlottesville firm, Nelson Byrd Woltz Landscape Architects.

Photo by Michael Jin Bowles 


Wild at Heart Thomas Woltz — mastermind of some of the most well-known parks and gardens in the world, including Hudson Yards and Bok Tower Gardens — doesn’t tame nature as much as heal it. Here,  he talks about his own gardens and his massive, utopian plan for Memorial Park in Houston. By Rebecca Sherman

 

This interview took place in early March, 2020 just as the country was put on Covid-19 lockdown

 

For the past 12 days, Thomas Woltz has been sheltering at home, like much of America. It’s a misty, chilly morning when we talk, the fog just starting to lift across the Virginia foothills, rays of sunshine fanning through somber clouds. Woltz, a world-renowned landscape architect, is looking out the windows of his 1880s house in Charlottesville to the drowsy gardens beyond. Thick walls of hornbeam hedges lie dormant, waiting. “It’s early spring, so everything is still gray and bare and twiggy,” he says. “But if you get close, you see buds popping — there’s an incredibly rich microcosm of life and diversity that’s happening.” Yesterday, he gathered the first colorful bursts of flora from the garden, from tiny blue brunnera to clusters of yellow star anise, and arrayed them on the table to inspect. Recently he planted a substantial kitchen garden: Rows of butter lettuce, rainbow chard, mustard greens, mizuna, radishes, and English peas will start to poke through the ground in coming weeks.

    Woltz, 52, has been building these gardens for more than 20 years, and has lived in Charlottesville on and off since he was a student at the University of Virginia. He and his former wife bought the house in 1998, right after they married. “I remember when the hornbeam hedges all arrived — hundreds of plants,” he says. “We couldn’t afford masonry, so we made walls out of the hedges. We planted them, and they looked like hundreds of brown pencils jabbed into the ground.” Decades later, thick hedges form the garden’s structure; semi-evergreen, the hornbeam is coming to life again slowly, buds cracking open in a tracery of pale green.

    For the first time in more than a decade — due to circumstances no one wanted or expected — Woltz has time to tend his own gardens. “Because of my intense travel schedule, I’m rarely at home, and the gardens have suffered,” he says. Now he spends two hours each evening weeding, pruning, shearing. “There’s a deep reassurance of having hands in soil that has really carried me, buoyed my spirits enormously through the past few weeks,” he says. “It’s been both cathartic and healing.”

 
Memorial Park Houston redesigned by Thomas Woltz
 

Although Woltz has created some of the most exquisite and sculptural gardens in the world, he does much more than make pretty outdoor spaces. His firm, Nelson Byrd Woltz Landscape Architects, is known for an “ecologically regenerative” approach to landscape architecture. Woltz coaxes beauty from the land by first focusing on its health, and  frequently collaborates with biologists, soil scientists, and ornithologists to lay the groundwork needed to do his work. The firm has completed projects in 25 states and 10 countries, specializing in designing and rejuvenating civic gardens, public parks, communities, and even agricultural landscapes such as farms.

    Woltz often takes on badly damaged areas, such as defunct quarries and former industrial sites, rebuilding the land so that nature can thrive again. Some are monumental undertakings, like Orongo Station, a 3,000-acre sheep and cattle ranch on New Zealand’s North Island. There, the firm reforested, replanted, and restored habitats for migrating seabirds. At Hudson Yards in New York, which opened last year, Woltz’s public square and gardens are a feat of technology and horticulture. Built on a six-acre platform above a working railyard, they include a small forest and wildflower gardens. Because heat rising from the rail yards reaches 150 degrees, roots are protected by a complex web of cooling tubes.

"There’s a deep reassurance of having hands in soil that has really carried me, buoyed my spirits enormously through the past few weeks,” he says. “It’s been both cathartic and healing.”


    Woltz, who has offices in Charlottesville and New York, opened an office in Houston in 2018, and he’s currently working on two projects there, including new green spaces, landscaping, and a meditation garden for Rothko Chapel, the first phase of which opened in June 2020.

    But Woltz’s massive restoration and revitalization of Memorial Park is the project that will change the face of Houston. The Memorial Park regeneration and master plan have been ongoing since 2015, after a devastating drought killed more than half the trees four years earlier. It just might be his most ambitious project yet: With 1,500 acres of wilderness and recreation hubs, it’s double the size of Manhattan’s Central Park and one of the country’s largest urban park restorations. “It’s exhilarating to be able to work on something at this scale,” Woltz says. Kick-started by a $70 million lead gift from the Kinder Foundation, the 10-year project is being managed by a public-private partnership including Memorial Park Conservancy, Houston Parks and Recreation Department, and Uptown Development Authority.

    Memorial Park sits on a prime swath of land running through the heart of Houston. Bisecting the Uptown, Tanglewood, and Memorial neighborhoods, its land value is enormous. Real estate aside, the park’s true worth lies in the four million people who use it annually. An average 10,000 runners each day access the Seymour Lieberman Exer-Trail, making it the most popular running trail in the country, says Shellye Arnold, president and CEO of Memorial Park Conservancy. Along with an arboretum, bird sanctuary, and award-winning golf course, designed in 1934, there’s mountain biking, kayaking, tennis, baseball, and picnicking. A 2016 biological assessment of the park identified 260 species of trees, shrubs, and vines proliferating throughout its confluence of forests, meadows, and wetlands. This unique habitat is a haven for wildlife, attracting 79 diverse mammals, amphibians, reptiles and fish, and 60 species of birds.

 

“It’s an act of grace to ask the land its full story before you bring anything new to it,” Woltz says.

 

    Woltz’s intense discovery process included interviewing demographers and park industry leaders, and engaging the expertise of some 75 scientists. Large public and community meetings were held for a year to hear what people wanted and needed from the park. Baton Rouge-based cultural historian Suzanne Turner was enlisted to document the park’s rich cultural history, dating 400 years ago to the Karankawa Indians and encompassing its use as a WWI training camp for soldiers. The Hogg family originally bought the land in 1924 and arranged for the city to buy it back over time as a memorial to Camp Logan soldiers who died in service — hence the park’s name.

    “It’s an act of grace to ask the land its full story before you bring anything new to it,” Woltz says. “We built the master plan squarely on this research.” The plan is monumental in scope and complexity. Highlights include a future land bridge over busy Memorial Drive to provide safe crossing for people and wildlife and a restored network of prairie and savannah that will act as a green sponge to absorb storm water and mitigate flooding. One of Woltz’s favorite aspects of the park is Memorial Groves, a 100-acre living memorial to Camp Logan soldiers who died. “The idea is to evoke the scale of loss through grids of loblolly pine, creating cathedral-like corridors of trees, as far as the eye can see,” he says.

    Eastern Glades reclaims 100 acres of formerly inaccessible parkland. Phase I opened in 2018, and included realigning East Memorial Loop Road and extending the Seymour Lieberman Exer-Trail to three miles. Top of the list were 150 new parking spots, a restroom station, and picnic areas — some of the public’s most-requested changes, says Woltz. The final phase of Eastern Glades was completed in June 2020 and features the new Hines Lake and wetlands, both essential habitats for the park’s native species. There will also be boardwalks with educational signage.

 

Not long ago, Woltz went to the park on a weekend by himself and paused at the access point of Seymour Lieberman Exer-Trail, just as a group of kids were finishing their first half-marathon. It was a memorable moment in their lives, and their joy and enthusiasm touched him deeply. “It strikes at the heart of how I feel about my work,” he says. With museums, restaurants, movie theaters, and other public places closed because of COVID-19, people are now seeking solace outdoors. “More than ever, I feel a sense of urgency to help heal the many fragile and broken places that are in need of stewardship and restoration,” he says. “Nature is proving to be a balm to people’s souls in a moment of crisis.”

  
Memorial Park Houston designed by Thomas Woltz

Alice Cottrell's Soothing Interiors for a Client


On the first level, the master-bedroom wallpaper is Fornasetti from Lee Jofa/ Brunschwig et Fils. Peacock Alley bedding. Kent Coffey side table from James McInroe. (Photo by Stephen Karlisch)

It’s a few days into Dallas’ stay-at-home order, and Tammie Kleinmann is ensconced in her first-floor bedroom, tapping away on her MacBook. She’s the owner of Lucky Post, a studio that edits television commercials; for the foreseeable future, the first level of this Knox-Henderson townhouse will serve as command central for her work. It’s hard to imagine a more rejuvenating temporary office during a crisis, with rooms drenched in light and filled with art.
“I look around this beautiful home, and it’s such a healing environment,” she says.
 
(Photo by Stephen Karlisch)
Her family is holed up with her, and while it’s soothing to have loved ones around, the townhouse is quite narrow, and they would be stepping on each other if it weren’t for the three-story layout. Her husband, Brian Nadurak, an art director at the Richards Group, does his work in the kitchen on the second floor, while Kleinmann’s daughter, Sydney, has returned from college and is finishing her classwork online from her bedroom on the third floor.
They moved into this townhouse in 2018 from a rambling O’Neil Ford-designed residence in Preston Hollow. “When we were thinking about downsizing, we really hesitated with all the stairs,” Kleinmann says. “But now I’m like, ‘Thank God for the multilevels and the stairs.’ In the mornings, we all have coffee together and then head to our respective floors.” 

Designed by Dallas architect Lionel Morrison in 1999, the townhouse is luminous with white walls, polished concrete floors, and sparkling courtyard views. Morrison’s firm was among the first to introduce beautifully executed white-box minimalism to Dallas in the late 1980s and early ’90s. His austere, reductionist designs are deceptively simple yet dynamic with complex interactions of volumes and voids. Signature design elements include floating walls and uninterrupted planes of natural materials. 

There are four Morrison-designed townhouses on Kleinmann’s block, but hers is the only one that has never been renovated. Except for a fresh coat of paint, it’s in pristine original condition, including the granite countertops in the kitchen. Granite was a cutting-edge material 20 years ago, and although it’s now considered dated, she has no plans to replace it. “I wanted to embrace the house just the way it is,” she says. “I dreamed of living in a classic modern house like this, and I finally did.” 

Interior designer Alice Cottrell and Tammie Kleinmann have been friends for decades, and they’ve worked on a half-dozen projects together, including this townhouse and the interiors for the Lucky Post offices, located two minutes away. In all, Kleinmann has lived in 16 or 17 homes over the past 20 years, many of them rescues and redos, including a historic 1908 Prairie-style house in Highland Park, one of the oldest remaining structures in the Park Cities. Kleinmann and her first husband lived in the O’Neil Ford-designed house for 10 years, a long-term restoration project and the longest she’s stayed anywhere.

Her motivation isn’t to flip houses for profit, she insists, but to create something nurturing and beautiful, then move on. She has no plans to move again any time soon, but the itch to create something new recently prompted her to buy an old cottage near Knox-Henderson, which she plans to fix up and possibly rent. Her husband, who loves to paint, is currently using it as an art studio.

Redoing the townhouse was like running a well-oiled machine. “Tammie is a dream client, and you can put that in bold letters,” Cottrell says. “We have a great history and camaraderie, and I rarely have to show her options. She loves everything we choose.”

The TV area on the second floor of the Knox-Henderson townhouse includes a T.H. Robsjohn-Gibbings chair from Sputnik Modern. Holly Hunt floor lamp. Brian Nadurak painting. (Photo by Stephen Karlisch)



Design’s Impact on Your Mood  

For this project, Cottrell also enlisted the help of designer Gary Hatch and Steven Hauser Construction. They used much of Kleinmann’s existing furniture, along with a handful of new pieces and custom sofas. Cottrell employed a few design tricks to create cohesiveness throughout, such as using the same neutral-tone rugs in every room and covering seating in adjacent rooms in similar fabrics, though in different colors. Walls were repainted in Benjamin Moore Chantilly Lace, creating a soft white backdrop. 

Cottrell used unconventional wallpapers to break up the white and create focal points. In the entry, a floating wall next to the grand piano is covered in Flavor Paper Vigilant Floral. At first glance, it looks like traditional floral wallpaper; upon closer inspection, we see that it also includes birds perched on razor wire and vines entwined around digital surveillance cameras. In the master bedroom, Fornasetti’s classic wallpaper Nuvole al Tramonto features atmospheric etchings of billowing clouds and sets a peaceful tone. 

“I wake up and immediately feel good in such a beautiful room,” Kleinmann says. “Design is important, because it can affect your whole outlook.”At the end of the workday, she joins her husband on the second-floor living room for a glass of wine. Two brightly patterned B&B Italia lounge chairs, which have endured through four previous houses, have been dubbed therapy chairs because they’re where the couple relaxes and swaps stories. Inevitably, the talk of late turns to the effects of the COVID-19 crisis. “We have a roof over our heads, but not everyone does,” Kleinmann says. “I go to Whole Foods, but not everyone has money for groceries. My husband and I are struggling with what we have and others don’t. It’s hard to accept that reality.”

 
In the entry, Edward Fields carpet. Sculptures in the courtyard and entry are by Elliot Eames Saarinen. (Photo by Stephen Karlisch)
Wallpaper by Flavor Paper. Stool is upholstered in shagreen-embossed platinum leather by Garrett Leather from EC Dicken. (Photo by Stephen Karlisch)
In the second-level living area, sofas from A. Rudin are customized with Romo plaid velvet. B&B Italia chairs covered in Paul Smith fabric by Maharam. Stark rug. (Photo by Stephen Karlisch)
 
(Photo by Stephen Karlisch)


(Photo by Stephen Karlisch)

Granite was a cutting-edge material 20 years ago, and although it’s now considered dated, the homeowner has no plans to replace it. “I wanted to embrace the house just the way it is.” (Photo by Stephen Karlisch)

Kitchen cabinet from Smink holds Kleinmann’s glass collection. Design within Reach stools. Kristina Girke painting, Galerie Christian Schindler, Darmstadt, Germany. (Photo by Stephen Karlisch)

On the second level, the dining-room table and chairs are B&B Italia. Collection of sterling candlesticks, curated by Russell Brightwell, includes designs by Richard Meier. (Photo by Stephen Karlisch)


Story by Rebecca Sherman. Photography by Stephen Karlisch. Interior design by Alice Cottrell. Styling by Russell Brightwell. Flowers by Crisman Liverman.

This story originally ran in the May 2020 issue of PaperCity.






Artisan Spotlight: Marroquin Custom Upholstery

A pair of beautiful custom ottomans made for me by Marroquin Custom Upholstery.

Behind the Scenes... I've been writing about beautiful rooms for magazines for many years, and it's usually the designers who get most of the attention in a story. But designers are the first to tell you it's the unsung artisans whose work can make or break a room, a whole project, and even their own reputations.

Marroquin Custom Upholstery, owned by Jesus Marroquin and his family, is the go-to upholsterer for many of Dallas' top designers including Joseph Minton, John Bobbitt, Paul Garzotto, Betty Lou Phillips. "I describe Marroquin as the De Angelis of the Southwest," says Bobbitt of the legendary New York upholstery family used by Peter Marino and the like. "Marroquin is capable of executing any kind of custom detail that I can come up with. They're especially good with difficult upholstery like horsehair, leather, and suede, and with fine nailhead designs, historic detailing and antique furniture."

Jesus Marroquin oversees every piece himself and is notoriously picky and obsessive. "He won't rush a piece even if you're standing over him screaming," says Bobbitt with a laugh. "I have to say though, they always get things done on time."



Family Affair: Jesus and Elsa Marroquin, front row.
Monica Marroquin with Godzilla. Adrian and Ivan Marroquin. Not pictured: Andres Marroquin.


Dallas was his dream
Jesus Marroquin was 23 years old when he came to America in 1973, and like most immigrants from Mexico, he came across the river. A priest picked him up in his car and asked where he was going. "I said Dallas. I just liked the sound of it," says Jesus, who by then already had years of training and experience with some of the top furniture upholsterers in Mexico City. Soon, he started working with well-known Highland Park upholsterer Art Jones and his son Robert. By the time Marroquin left ten years later to start his own reupholstery company, they'd produced a line of furniture and opened 20 showrooms across the country. 

Marroquin married wife Elsa in 1980, and their four children, Monica, Ivan, Adrian, and Andres, now work in the family business, doing a variety of jobs from marketing to accounting, shipping, and designing. All of them have trained on the floor, learning how to upholster furniture to their father's exacting standards. "You can't expect to be upstairs on the computer taking orders if you don't know how a chair is done," Ivan says.


From the White House to your house
After producing a custom line of furniture for 21 years for a top Dallas showroom (many of Marroquin's pieces ended up in the White House and Camp David), Marroquin opened his own shop almost 10 years ago. In addition to reupholstery work, he is partnering with Nancy Caperton on a line of furniture at Culp Associates called the Caperton Collection.You don't have to be a designer to bring your furniture to be reupholstered by Marroquin, and they'll help you design a custom piece from scratch, with or without your designer.



A custom chair in progress, meticulously hand-finished.


Sweat the small stuff
Marroquin bought a 55,000 square foot warehouse space near the Design District in 1999. Depending on demand and the economy, they employ between 45 and 20 full time people, including head tailors, seamstresses, carpenters, tanners, painters, and master upholsterers. Some have been with Marroquin for 26 years. "It takes five years to train people to do the quality we require, and we always start with ones who already have a lot of experience and knowledge," says Jesus. "Quality is the biggest thing for us, and it takes time to train employees to understand that. It's easy to just let the little things go. It's a lot harder to find the flaws that the clients won't see."



Daybeds, chairs, stools waiting to be reupholstered. Marroquin often tears a piece down to its frame, rebuilding if necessary, and completely redoing the springs and webbing.

It takes a village
On average five people will work on a single piece of furniture to be reupholstered. "The team works together otherwise we couldn't do it," says Jesus. "But I'm involved in everything, even the smallest piece that comes in." Each employee has years, if not decades, of experience specializing in a particular detail of work, including springs, nailheads, skirts, button tufting, refinishing, and making frames.


"The key is to build the frame exactly right. After that, no problem," says Jesus, who can make any custom design you want from a photograph or sketch. Once a piece is documented, it's ready to be crated and shipped (depending on how far it's going). They ship to Europe, South America, Mexico, Dubai and beyond.



Precise and exquisite dressmaker details.


Charming details on a custom chair.


Ottoman from the Caperton Collection, through Culp Associates



Dreamers
"One of my dreams when I came to this country was to do furniture for the White House, and I did furniture for the White House," says Jesus, who became a naturalized American citizen in 1986. "Another dream I had was to have a beautiful wife. I am not so handsome, but I got a beautiful wife. And I dreamed to have really good kids, and I got them. I also dreamed to build this company and this facility. As you see, I came to America with nothing but a lot of dreams, but this country took me in and kept me. I made a success of my life. For a Mexican like me, this is the American dream."

To view more of their custom furniture and to contact them, go to marroquincustomuph.com



Seamstresses are experienced in working with delicate and difficult fabrics such as Fortuny and horsehair.

Tools of the trade.


Alberto DeHoyos hammers nailhead trim on a custom sofa for John Bobbitt.


This hand-operated machine is the traditional way to cover buttons for tufted upholstery.


Marroquin has more than 150 different styles of chairs, sofas, and ottomans ready to be made.


Sofas from Marroquin's custom collection.
Sofas from Marroquin's custom collection.


A Star is Born: Each piece is photographed and documented at Marroquin's photo studio.




Joshua Rice's Zen Retreat for Leatherology Founder Rae Liu

Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.
In 2014,  Rae Liu and her husband, Kurt Johnson, were living in a high-rise, planning a wedding and a family. The search was on for a house to kick off their new
life together. “I felt strongly about finding a modern home that was a space we could grow into,” says Liu, co-owner of Dallas–based Leatherology, an online direct-to-consumer collection of personalized leather goods. Johnson is a banker, with a penchant for woodworking; he crafted their sleek dining-room table as a wedding gift for Liu.

The couple discovered their ideal house tucked among the trees near Royal Lane, in a neighborhood of 1960s modern classics. “We walked in and immediately said, ‘Yes!’” Liu says. Light flooded through floor-to-ceiling windows in every room, yet the house felt private — an oasis lush with pecan trees and cherry laurels. An avid gardener, Liu hired noted landscape architect Michael Kinler to create an enclosed garden and entertaining area.


Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

Not a mere white box, this modern house has pitched ceilings and wood beams that provide rooms with ample architectural interest. Polished-concrete and wood floors, added by the previous owners, were beautiful enough to keep. But the living and dining areas were fused into one long space that proved awkward to furnish and use. And while the couple both like a modern aesthetic, Johnson leans a little more toward traditional. The answer was to enlist the help of an interior designer to create more usable spaces and blend the couple’s design styles. Liu’s brother and co-owner of Leatherology, David Liu Jr., introduced them to Joshua Rice, a designer known for a sophisticated, meticulously curated look that is still comfortable and approachable. “We both liked his work right off,” Liu says. “It was a nice bridge between both our styles.” 


Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

When Rice looked at the images of the house Liu e-mailed him, he recognized it. The previous homeowners were clients of his, and they had hired him to help with the interiors. The job had stalled when the clients moved out of town, but the happy coincidence turned out to be an advantage. “I had two years to think about that house and what worked and what didn’t,” Rice says. The beautiful natural light was a plus, so he designed each room to take full advantage. But as Liu and Johnson already knew, the living and dining areas merged awkwardly, with no clear definition of spaces. As a remedy, Rice commissioned a steel tension-rod shelving system to act as a room divider and configured it to hold books and decorative items. A young Brazilian furniture maker, Jader Almeida for Sollos, was tapped for the project and went on to produce other furnishings for the house. A fireplace, which was oddly placed along one wall in the TV room, was replaced with a floating black-ribbed steel rectangle of Rice’s design. “We simplified anything that was distracting and made the house appear more minimal,” Rice says. “That allowed us to focus on the interior design.” 

Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.
Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

Two children have come along since Johnson and Liu purchased their modern house four years ago. Rice, who has young kids of his own, was sensitive to creating a home that was safe and would stand up to wear and tear. “Almost everything Josh did has a rounded corner,” says Liu. “And he was able to play with silhouettes and textures to make it interesting.” Rice designed a striking round coffee table for the sitting room, which became a centerpiece for the main seating area where the family gathers to watch television. Water-cut from a slab of stone and “popped out and put together like a Happy Meal toy,” he says, the idea was born from necessity. “We needed something dramatic at a reasonable price. So I bought the prettiest piece of Brazilian quartzite I could find with a textural finish and got this very dramatic table.” Vioski’s U-shaped sectional, enticingly piled with pillows, is the perfect shape to engage with the table. Rice often uses a sumptuous Knoll Womb chair in his projects, and this one is no exception. “I try not to use things that are too ubiquitous, but it’s a hard chair to beat because it’s comfortable and looks so outstanding,” he says.


Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.
Interiors by Joshua Rice. Styling by Russell Brightwell. Photography by Robert Tsai.

Rice conceived the handsome living room as a place to enjoy a glass of wine before moving into the adjacent dining area. Like the rest of the house, it’s a collection of tonal colors and
subtle textures. A pair of rattan Poul Kjaerholm PK22 chairs is draped with sheepskin throws, and a paper Noguchi floor lamp provides plenty of design bang at a reasonable cost. Plaster-topped tables have a stained, textural finish and were handmade in Italy. Amsterdam–based interdisciplinary cooperative BCXSY designed the one-of-a-kind patchwork wool rug, which was woven by Bedouin women.
Because the walls in the house are mostly windows, the couple couldn’t hang much art. In this case, that turned out to be a good thing. “Empty walls help keep the serene feeling,” Rice says. “I tell clients there’s nothing wrong with empty walls, especially if the room has some architectural interest.” Ultimately, the refined and comfortable house works beautifully for the couple and their children. “My personal style is classic and unfussy,” Liu says. “I take a similar approach to running our business. At Leatherology we create beautifully crafted leather essentials that are meant to be timeless. Our home is a reflection of that — with the added requirement that everything in it be child-friendly. I love that Josh has helped us create a home we can live in for years."

Rae Liu and her brother David Liu, Jr. co-founded Leatherology